Eduard Schmieder

Conductor

www.EduardSchmieder.com

Born and educated in Russia, Eduard Schmieder has been characterized as an “extraordinary musician of the late 20th century.” His ability to communicate with audiences and students alike places him in a rare category of elite performers and educators. As artist and teacher, Schmieder amalgamates and creatively transforms the great traditions of American and European art.

As a conductor, Schmieder has performed in such prestigious halls as Cite de la Musique in Paris, Crown Hall in Jerusalem, Grand Philharmonic Hall in St. Petersburg, Concertgebouw in Amsterdam, Wagner Hall in Riga and other major concert halls worldwide. On April 14, 1996, Eduard Schmieder performed a recital in Genoa, on Paganini’s famous Guarneri del Gesu “Il Cannone” violin.

Currently Eduard Schmieder holds Carnell Distinguished Professor Chair at Temple University, Philadelphia. Prior to his appointment at Temple University, he was Distinguished Algur H. Meadows Chair of Violin and Chamber Music in the Meadows School of the Arts in Dallas (1990-2006), and tenured professor of the violin at the University of Southern California in Los Angeles, the position formerly held by Jascha Heifetz.

As violinist he has been collaborating with celebrated musicians in major concert halls throughout the world, and gives master classes at the foremost conservatories and music festivals.

He frequently represents the United States as a jury member at leading international competitions including Queen Elisabeth, Sibelius, Mozart, Paganini, Sarasate, Lipizer, and ARD among others.

Students of professor Schmieder have established careers as prominent soloists, active chamber musicians, and hold principal positions in major orchestras such as the Chicago Symphony, London, Los Angeles, Israel Philharmonies, Bavarian State, Dresden Staatskapella, Dallas Symphony, and others. He is Music Director and Conductor of iPalpiti orchestral ensemble of international laureates.

“..a serous and resourceful podium personality.” Daniel Cariaga, Los Angeles Times

“I shall never forget his extraordinary power over the players; his drive is quite astounding.” Margaret Campbell, FRSA Music Critic, The Strad and Author of The Great Violinists and The Great Cellists

“… [He] is a remarkable conductor.” John Ardoin, Dallas Morning news

Gyehee Kim

Violinist/Korea

FEATURED SOLOIST 2017

Korean violinist Gyehee Kim won First Prize and two additional special prizes at the prestigious 2016 George Enescu International Violin Competition, one of which was the iPalpiti Prize to attend the iPalpiti Festival.  She is also the prize winner of several international competitions, including Munetsugu Angel International Violin Competition (2017, First Prize, Audience Prize and Central Aichi Symphony Orchestra Prize), Torun International Violin Competition (2016, Second Prize and Best Performance of Bach Special Prize), Isang Yun Competition (2014, Seong-Yawng Park Special Prize), International Tchaikovsky Competition for Young Musicians (2009, Third Prize) and Gnessin International Competition for Young Pianists and Violinists (2008, First Prize and Virtuoso Special Prize).  At the age of nine, she won the Grand Prize at the Korean Chamber Orchestra competition, becoming the youngest winner in the competition’s history, and, a year later, she made her Seoul recital on the Kumho Prodigy Concert Series.  She has since won numerous national music competitions.  Additionally, she has performed with numerous orchestras such as the George Enescu Philharmonic, Russian Symphony, Torun Symphony, Bulgaria Pleven Philharmonic, Sudettic Philharmonic, Euro-Asian Philharmonic, Central Aichi Symphonoy Orchestra and more.  She has also been invited to perform at international festivals such as the George Enescu Festival (Romania), Moscow Meets Friends (Russia), Cichej Muzyki (Poland) and the iPalpiti Festival (USA), and she was invited to participate in the 2017 Kronberg Academy Violin Masterclasses & Concerts.  Kim currently studies at Seoul National University under Young Uck Kim, and previously studied with Joseph Silverstein, Sunny Lee and Bon-jiu Koo.  Kim plays on the “Rainville” Antonio Stradivarius 1697, kindly loaned by Munetsugu Collection. Website

iPalpiti Orchestra

Acclaimed by the press for its “beauteous string playing”, “lustrous, polished tone,” and “vocal quality”, iPalpiti (ee-PAHL-pit-ee is Italian for “heartbeats”) is a consortium of prize-winning young professional musicians from around the globe, where each member is considered a soloist.

Under his direction, iPalpiti has performed to sold-out audiences in prestigious venues such as Concertgebouw (Amsterdam), Mozarteum Grosse Hall (Salzburg), Nikkei Hall (Tokyo), Walt Disney Concert Hall (Los Angeles), YMCA Jerusalem, Carnegie Zankel Hall (New York), and has been invited as ensemble-in-residence at festivals in Slovenia, Israel, Carinthia, Belgium, and Italy, as well as the Martha Argerich Festival in Beppu, Japan.

iPalpiti has since grown to an ensemble of international recognition, establishing a summer residency in Beverly Hills, California in 1999. iPalpiti Festival of International Laureates in Los Angeles—presented annually since 1998—is one of the nation’s significant music festivals and the subject of international accolades. The prestigious STRAD magazine devoted numerous enthusiastic features and reviews, and the Los Angeles Times acclaimed the Festival’s ”take-your-breath-away demonstrations of musicianship and technique,” where artists are encouraged to find their “own voice,” performing as iPalpiti Soloists in solo and chamber ensemble concerts. Referred to as a “Musical Peace Corps,” iPalpiti has created an international cultural network of hundreds of classical artists, forging life-time associations and friendships that transcend the conflicts of our time.

The orchestra’s players (ages 19-32) are all winners of prestigious international awards and represent countries worldwide. iPalpiti alumni have established solo and chamber ensemble careers and have taken up leading positions in major international orchestras such as the Chicago, Tokyo, Jerusalem, Monte Carlo, Bavarian State and Munich Symphonies, London, Berlin and Israel Philharmonics, Dresden Staatskapelle, etc. Several have exclusive recordings with labels like Decca, Telarc, and Supraphon records, and are considered among the premier musicians of their generation.

iPalpiti’s performances have been acclaimed by critics throughout the world. In 1996 Noord Holland Dagblad proclaimed “[iPalpiti’s] performance can be called righteously overwhelming.” John Ardoin of the Dallas Morning News raved “iPalpiti sprang to life as a single, singing voice. It was the natural, ‘vocal’ quality that stayed with me long after the final notes of the concert were sounded,” while the Los Angeles Times hailed the group’s performances as “an astounding demonstration of seamless and beauteous string playing…memorable, luminous, deeply moving performance” (Daniel Cariaga 2000) and as a “cool display of virtuosity…unified to an often startling degree” (2006). The New York Times noted that “…ensemble was particularly noteworthy for its unity of purpose and blend. It was as if the musicians’ hearts were beating to the same buoyant rhythm…lustrous, polished tone and graceful phrasing.” (2007)

iPalpiti has released 20 CDs issued on TELOS, YAI/iPalpiti and BCM+D Records. Performances are broadcast by Classic Arts Showcase nationally to over 62 million viewers on PBS/Art Channel and other public television channels, in Philadelphia on WRTI, New York on WQXR-FM.